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29LT Zarid Sans : A Friendly & Direct Typeface
29LT Zarid Sans type family consists of 16 styles: 8 Standard styles and 8 Slanted styles, covering the following weights: Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold and Black. Zarid...
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29LT Zarid Text : A Legible & Lucid Typeface
29LT Zarid Text type family consists of 8 styles: 4 Standard styles and 4 Slanted styles, covering the following weights: Light, Regular, Medium, and Bold. The range of weights provide suitable...
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29LT Zarid Slab : A Firm & Agile Typeface
29LT Zarid Slab type family consists of 16 styles: 8 Standard styles and 8 Slanted styles, covering the following weights: Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold and Black. The...
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29LT Zarid Display : A Contrasted Typeface
29LT Zarid Display is the valiant version of 29LT Zarid Text. In the Arabic script, the neo-Naskh glyphs transform into amalgams inspired by both the Thuluth and the Naskh calligraphic styles. Thuluth...
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29LT Zawi: A Seriously Rhythmic Typeface
29LT Zawi typeface consists of 8 styles and their matching slanted styles alongside 2 variable fonts. The styles are: Thin, Thin Slanted, Extra Light, Extra Light Slanted, Light, Light Slanted,...
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Multi-Script 29LT Fonts
29LT is progressing from a bi-script Arabic and Latin digital type industry into a multi-script fonts entity. The global market we live in and the continuous integration of different cultures is...
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29LT Okaso : A Typeface Abstracted from Aljamiado Manuscripts
29LT Okaso is a vibrant geometric typeface with distinctive letterforms. The outlines of its letters challenge traditional structures while preserving legibility. It incorporates a carefully studied...
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Variable Fonts : Varied & Flexible
NEW TYPOGRAPHIC TECHNOLOGY In our fast-evolving digital world, typography is at the heart of it all. Fonts are becoming the core of many digital projects. From static typography, we are moving to...
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Balenciaga Arabic Logo
In the fall of 2017, a totally overhauled Balenciaga brand identity was revealed after the new creative director, Demna Gvasalia, took the lead of the French fashion brand in 2015. A sleek semibold...
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Fontstand Article about 29LT and Pascal Zoghbi
Article by Huda Smitshuijzen Abifares for the Fontstand News Platform.Part of the Foundry Profiles series. Published in November 09 2020. 29LT: The Arabic Script as Springboard for Multiscript...
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Majarra Logo
The letters composing the Arabic word مجرّة (majarra) give endless typographic possibilities for creating a logotype. The first and last letters have closed counters, while the medial letters are...
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29LT Oskura: An eloquent companion to Okaso
29LT Oskura is the second interpretation of the diverse handwritings found in the Aljamiado manuscripts and works as a fluid alternate to 29LT Okaso. Its humanistic design approach is built on the...
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29LT Publications: Topics
29LT publications are modern-day typographic prints that aim to showcase 29LT fonts within content that has been found, written, and based upon texts that explore distinctive themes. The subject...
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29LT Zarid Sans Devanagari: A Robust Auxiliary
29LT Zarid Sans Devanagari is a member of the Zarid Sans multi-script family, that supports Arabic, Latin, Greek, and Cyrillic scripts in eight weights. The Devanagari was designed by Kimya Gandhi,...
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Kingdom of Bahrain Pavilion / Expo 2020 Dubai
Designers : Pascal Zoghbi and Clara Sancho. Density Weaves Opportunities The Pavilion of the Kingdom of Bahrain at Expo 2020 Dubai explored density as a catalyst for opportunity through an intricate...
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29LT Ada : A Ruqʿah Type System
29LT Ada is a contemporary type design based on the Ruqʿah Arabic calligraphic style. It is a superfamily of Sharp, Flat, and Round typeface s, each in 6 weights, adding up to 18 styles. With all of...
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Balmain Arabic Logo
The creation of an Arabic logo for an existing Western brand brings challenges and questions that need exploring and assessing. The Arab designer must have a comprehensive knowledge of both Arabic and...
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Diptyk Magazine Article
Graphic designers have a huge need for new Arabic typefaces. First published by Diptyk Magazine in French, written by Juan Palao, on April 7, 2023. At a Master Class held at ESAV, typographer Pascal...
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29LT Zarid Sans Hanzi: A Chinese script match to Arabic
29LT Zarid Sans Hanzi is a member of the Zarid Sans multi-script superfamily, which currently also supports Arabic, Latin, Greek, Cyrillic, and Devanagari scripts. The Hanzi part was designed by...
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afikra Logo
afikra | عفكرة is a global organization that aims to convert passive interest in the Arab world into active intellectual curiosity. It’s a grassroots movement that has grown into a global media and...
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Majarra Insights Article
How my passion for Arabic letters turned into a global career in Arabic type design First published on Majarra Insights , on February 17, 2024. Arabic translation is present after the English text. We...
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Lanvin Arabic Logo
It’s common to see shop signs in the Arab world with bi-scriptual wordmarks. This is true for local Arab brands that have both an Arabic and a Western name, as well as for international Western brands...
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Design Space AlUla Logo & Custom Type
Design Space AlUla is an innovative facility located in the AlJadidah Arts District, which serves as a hub for exhibitions, workshops, and archives. It aims to foster collaboration among design...
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29LT Azahar Text + Display: A warm and graceful typeface
The 29LT Azahar family comes in two categories: Text and Display, each available in five different weights: Light, Regular, Medium, Bold, and Black. In Latin and Cyrillic, each Upright style is...
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29LT Idris: A Naskh Type System
29LT Idris is a modern typeface combining an Arabic Naskh calligraphic style with a Serif Latin. It has two versions: Sharp and Flat, each with five weights, making a total of ten styles. As a...
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